Installation view of Future Assembly, now on view in the Central Pavilion at the Giardini in Venice. Future Assembly is Studio Other Spaces' collaborative contribution to La Biennale di Venezia 17th International Architecture Exhibition 'How will we live together?', curated by Hashim Sarkis.

For La Biennale di Venezia 17th International Architecture Exhibition, Studio Other Spaces responds to curator Hashim Sarkis’s question 'How will we live together?' with Future Assembly, a collaboration with six co-designers and fifty Biennale Architettura 2021 participants. The diverse group of designers and spatial practitioners imagine a more-than-human assembly for the future, inspired by the current paradigm for a multilateral assembly – the United Nations.

Located on the mezzanine of the Central Pavilion at the Giardini, Future Assembly comprises a display of fifty more-than-human ‘stakeholders’ from around the world submitted by the participants of Biennale Architettura 2021. These stakeholders – which include, among other things, fungi, estuaries, and ephemeral gases – represent those living and non-living entities whose rights are traditionally left out of human legislation. All fifty stakeholders convene on the shared ground of the Future Assembly World Map, a circular carpet, twelve metres in diameter, woven from up-cycled ocean plastic. Human attempts to recognise and secure the rights of nature during the 75-year history of the Charter of the United Nations are presented in the More-than-human Chart, which spans three walls of the exhibition. Visitors can further explore Future Assembly online at www.futureassembly.earth.

The eight co-designers are Studio Other Spaces (SOS) – represented by its founders, artist Olafur Eliasson and architect Sebastian Behmann – with Caroline A. Jones, professor of art history; Hadeel Ibrahim, activist; Kumi Naidoo, Global ambassador, Africans Rising for Justice, Peace and Dignity; Mariana Mazzucato, professor and founding director of the Institute for Innovation and Public Purpose at University College London; Mary Robinson, chair of the Elders and adjunct professor of climate justice at Trinity College; and Paola Antonelli, senior curator of architecture and design at the Museum of Modern Art, New York.

‘Life’ at Fondation Beyeler, Basel. Photo: Pati Grabowicz

‘Life’ at Fondation Beyeler, Basel. Photo: Mark Niedermann

‘Life’ doesn’t go to sleep at night.

‘Neurobiologist Anna Wirz-Justice has done incredible research into the science of biological time, of our daily rhythms – the so-called circadian rhythms – and into how these rhythms govern human behaviour and physiology. But they also impact most other living organisms – from the smallest bacteria, fungi, and plants to flies and fish and mammals – as they have all internalised these external, geophysical rhythms and have a remarkably similar set of “clock genes” that generate an internal cycle of about twenty-four hours.’ – Olafur Eliasson