‘We have now on our planet the largest generation of children Earth has ever seen. Through Earth Speakr, they showed us that they know what is happening and they know what needs to be done. And they know what kind of world they dream of. It is up to us to listen and take action.’ – Olafur Eliasson in ‘Talking to You’, 2022
'The glacierhouse effect versus the greenhouse effect’, 2005 is constructed of steel tubes that form a spiral structure. When temperatures drop below freezing, typically during winter nights, water is sprinkled at intervals from the oculus at the top of the pavilion. The water freezes as it runs down the latticework frame, tracing the contours of the spiralling surface and coating the metal tubes with ice. During the daytime, when temperatures often climb above freezing, the ice begins to melt, dripping down the turret before freezing again into new formations at night. In the work’s desert environment, there is very little rain. To cover the pavilion with ice in the winter months, a complex system was established to collect water from various roofs and lead it to an underground container, where it remains until temperatures drop below freezing again (photos: Andrew Gellatly).
The Frick Collection presents an installation inspired by the institution’s acclaimed ‘Diptych publication series’. In conjunction with a Diptych focused on Claude Monet’s ‘Vétheuil in Winter’, the Frick is installing an artwork created for the occasion by Olafur alongside the Monet painting, one of the museum’s few Impressionist works.
Image: Left, Claude Monet’s ‘Vétheuil in Winter’, 1878−79 and ‘Colour experiment no. 109’, 2020 (photo: Joseph Coscia Jr)
Upon entering the courtyard of the palazzo, visitors encounter a large elliptical screen hanging above them. The screen, which appears to flicker and change as visitors move around the courtyard, presents a moiré pattern. This effect occurs wherever two or more similar patterns are overlaid and clash. It is familiar as an artifact in print and on screen, and, in the physical world, in meshes, fences, and facades. As visitors move about, the pattern appears to change with their shifting perspectives, encouraging them to move around even more.
‘Olafur Eliasson: Orizzonti tremanti / Trembling horizons' at Castello di Rivoli opens with ‘Navigation star for utopia‘, a luminous work with beams of coloured light shining across the environment and drawing light effects, almost suggesting an orientation tool for the future (photo: Agostino Osio).
‘Olafur Eliasson: Orizzonti tremanti / Trembling horizons' opens at Castello di Rivoli on 3rd November. The exhibition transforms the Manica Lunga wing of Castello di Rivoli by installing a new series of immersive wedge-shaped optical device-like artworks in the long gallery. Inside each, the viewer can watch complex patterns unfold in fluid motion within a 360-degree panoramic space that seems more expansive than physically possible – optical illusions created through mirrors and light projections.
Image: ‘Your power kaleidorama', 2022 (photo: Agostino Osio).
At Studio Olafur Eliasson, testing light projections for 'Olafur Eliasson: Orizzonti tremanti (Trembling horizons)’, curated by Marcella Beccaria. Opening this week at Castello di Rivoli, from 3 November 2022. (photo: Tegan Emerson / Studio Olafur Eliasson).
'Olafur Eliasson: Nel tuo tempo’ (In your time) opens at Palazzo Strozzi this week on 22nd September. The exhibition brings together new and older works that respond to the Renaissance architecture of the palazzo, immersing the building in light, fleeting shadows, reflection, patterns, and intense colour.
Image: 'Just before now', 2022 (photo: Ela Bialkowska, OKNO Studio).
'Vertical Panorama Pavilion', designed by Studio Other Spaces is now complete at the Donum Estate in Northern California.
Taking inspiration from the history of circular calendars, the wine-tasting pavilion has an elevated conical canopy lined with recycled glass panels. Stacked up vertically above 12 columns that emulate the months in a year, the colourful hues of the glass panels depict the weather conditions essential for the creation of Donum’s wine – solar radiance, wind intensity, temperature, and humidity. (Photo: Adam Potts)
Starting 22 September 2022, the Fondazione Palazzo Strozzi will be hosting a major exhibition 'Nel tuo tempo', exploring the art of Olafur Eliasson, whose multifaceted output invariably places the visitor at the heart of his reflection on the notion of shared experience and interaction with reality. Image: 'Firefly double-polyhedron sphere experiment', 2020 (photo: Jens Ziehe).
Installation view of Olafur Eliasson’s current solo exhibition ‘Inside the new blind spots’ at PKM Gallery, Seoul. Photo: Yongjoon Choi / PKM Gallery
‘Feeling backward’, watercolour and pencil on paper, 2022. Photo credit: Jens Ziehe
‘The Seeing City’ is a new site-specific, permanent artistic installation designed by Studio Other Spaces (a studio for spatial experimentation co-founded by Olafur Eliasson and Sebastian Behmann) for the top two floors of the former Préfecture de Paris on Boulevard Morland.
‘Sun window’, installed Kunsthalle Wien, 1997. Some of the glass panes in a pre-existing window frame are covered with colour filters so that when the sun shines, the coloured glass creates a colourful pattern in the room inside.
In celebration of Earth Day, you can watch the short film ‘Talking to You’ from Earth Speakr. Directed by Anni Ólafsdóttir. Narrated by Olafur Eliasson. Story and script by Eva Lind Höskulddsdóttir, Anni Ólafsdóttir, and Andri Snær Magnason. Based on messages from more than 10,000 children in more than 70 languages, all made with Earth Speakr.
‘We humans are very familiar with the extraordinary importance of sunlight for all life on earth – after all, the path of the sun shapes the very rhythm of life and provides orientation in our world. The earth’s daily rotation and annual orbit make the sun the natural clock for all living creatures on our planet.’ – Olafur Eliasson