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The presence of absence pavilion, 2019 - Tate Modern, London – 2019 - Photo: Anders Sune Berg
The presence of absence pavilion, 2019
Tate Modern, London – 2019
Photo: Anders Sune Berg
The presence of absence pavilion, 2019 - Tate Modern, London – 2019 - Photo: Anders Sune Berg
The presence of absence pavilion, 2019
Tate Modern, London – 2019
Photo: Anders Sune Berg
The presence of absence pavilion, 2019 - Tate Modern, London – 2019 - Photo: Anders Sune Berg
The presence of absence pavilion, 2019
Tate Modern, London – 2019
Photo: Anders Sune Berg
The presence of absence pavilion, 2019 - Guggenheim Museum Bilbao – 2020 - Photo: Erika Ede
The presence of absence pavilion, 2019
Guggenheim Museum Bilbao – 2020
Photo: Erika Ede
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The presence of absence pavilion, 2019

The presence of absence pavilion is a bronze cast of the void left by a block of glacial ice that has melted away. The ice was fished out of the Nuup Kangerlua fjord off the coast of Greenland during production of the public artwork Ice Watch, 2014, for which Eliasson and the geologist Minik Rosing brought massive blocks of glacial ice to public spaces around Europe and allowed them to melt over several days or weeks. The Greenland ice sheet loses tens of thousands of similar blocks each minute as a result of global warming. Here the disappearance of the ice is cast in a material that in the history of art has typically been associated with power and permanence.