Model for a timeless garden, 2011 - A film by Tomas Gislason
www.soe.tv

#COP23 starts today!
It's crucial to keep pushing the Paris Agreement. Genuinely hope everyone involved knows this visualisation @UNFCCC

The warming of earth. Observational history of temperature from 1850 until today. Berkeley Earth, US.

Corner of Central Park, NYC: Good Fences Make Good Neighbours - a great work by @aiww with @PublicArtFund
https://www.instagram.com/studioolafureliasson/

The COP23 climate change summit in Bonn and why it matters! @guardianeco
@UNDP @UNEP @UNFCCC
https://www.theguardian.com/environment/2017/nov/05/the-cop23-climate-change-summit-in-bonn-and-why-it-matters?utm_source=dlvr.it&utm_medium=twitter

Come join me, @LittleSun and this amazing line up of musicians & artists @Pathway2Paris on Sunday @carnegiehall NYC
https://www.carnegiehall.org/m/event.aspx?view=full&id=4295032652

Join us on the Pathway2Paris 5th of November at Carnegie Hall, NYC. Pathway to Paris is a dynamic collaboration between musicians, artists, sustainability consultants, cities and activists to highlight solutions to climate change, and to help turn the Paris Agreement into real action

Climate change is global-scale violence, against places and species as well as against human beings. Once we call it by name, we can start having a real conversation about our priorities and values. Because the revolt against brutality begins with a revolt against the language that hides that brutality. Rebecca Solnit: Call climate change what it is: violence, The Guardian

Green light workshop at the Venice Biennale has an exciting program this upcoming weekend with artistic workshops and guest speakers Nira Yuval-Davis and Charl Landvreugd as part of the project's Shared Learning program.

Even a tiny Q tip has an enormous effect on life. This heartbreaking photo reveals a troubling reality. The onslaught of marine plastic waste is a slow-motion catastrophe. Marine plastic debris is a real threat to our health. We have seen results of research showing that fish and shellfish from many parts of the world consumed plastic and micro plastic. According to the UN, Indonesia, by the end 2025, will reduce 70% of its plastic debris from 2017. This weekend at Hamburger Bahnhof in Berlin TBA21 is hosting Fishing for Islands. Throughout the weekend, performative interventions and artists’ installations will open up new perspectives on traditional and mythological dimensions of the oceans, as well as on infrastructure and migration. Photo: Justin Hofman

Some of the politics that we see now in Europe and on the other side of the globe, which can be called autochthonic politics, are different from other extreme-right politics. One of the interesting things is that many of these autochthonic political organizations take pride in telling us that they are not racist. Indeed, rather than using notions of “race,” as earlier forms of racist ideology did during the nineteenth and twentieth centuries, these movements construct racialized boundaries that differentiate people according to those who belong and those who do not, using a wide variety of boundary signifiers, including origin, religious affiliation, and citizenship status. Autochthonic politics are thus very elastic. The only common message is, “We were here before you, and therefore we belong and you do not!”

Nira Yuval-Davis, visiting Professor and Director of the Research Centre on Migration, Refugees and Belonging, University of East London

In depth perspectives on the Green light project, produced by TBA21 and published by Sternberg Press with contributions by Atif Akin, Anas Aljajeh, Tarek Atoui, Tawab Baran, Ian Cion, Angela Dimitrakaki, Olafur Eliasson, Paul Feigelfeld, Francesca von Habsburg, Timothy Morton, Sandra Noeth, Ahmet Ögüt, Boris Ondreička, Johannes Porsch, Clemens Rettenbacher, Andreas Roepstorff, David Rych, Rasha Salti, Georg Schöllhammer, Shuddhabrata Sengupta, Anahita Tabrizi, Alison Weaver, Franziska Sophie Wildförster, Nira Yuval-Davis, Daniela Zyman, and Green light participants

Artist Benjamin Skop in collaboration with the studio team experimenting with lasers and fog to extend the movements of the body into a kind of moving architecture. More on www.soe.tv

On 6 November, COP23 opens in Bonn. Germany has ambitious plans to convert to renewable energy sources, yet it remains largely dependent on heavily polluting coal for generating electricity, with hundreds of open-pit lignite mines across the country. The phase-out of coal is a major area of contention in the current coalition talks between the winners of the recent German election, with the Green party pitted against the conservative CDU/CSU and the pro-business FDP. This weekend, on the occasion of COP23, 350.org is launching an action targeting Europe’s biggest single source of CO2, the Rhineland coalfields, demanding Germany commit to a rapid phase-out of coal

I'm in the Green light workshop @la_Biennale with exciting guests today - you can follow the talks live here: http://www.labiennale.org/en/art/2017/streaming-giardini

Vikings razed the forests. Can Iceland regrow them? @nytimes
https://nyti.ms/2znDlnl

Festival of Future Nows, Hamburger Bahnhof, Berlin, 2017
www.soe.tv

Artist Sammy Baloji doing a workshop with Green light participants - as part of the project's Shared learning program @la_Biennale @TBA21

Join 1000 Cities – reject fossil fuels & demand 100% renewable energy @pathway2paris https://www.thepetitionsite.com/tell-a-friend/44270848