On-going research: Targeting rays on a spherical polyhedron built from kaleidoscopes. To influence light reflection, we have been looking into variations of mirror sphere-like shapes built from kaleidoscopes and mirrors. A challenge is finding the right structure based on geometrical symmetry that will then reflect light less randomly. We have been testing different structural designs by applying polyhedron geometry, but also investigating concave stellations of the Rhombic Triacontahedron. The use of parabolic concave mirrors helps to limit random reflection and by adjusting the orientation of specific mirrors, we can in a sense control the behavior of light.
Studio Visits: Enrique Rivera Gallardo, researcher, curator and audiovisual producer. He is the president of the Chilean Video Corporation and Director of the Chile Media Arts Biennial, which promotes experimental video art in the region
The unspeakable openness of things, Red Brick Art Museum, Beijing. Photo: Roman Pilipey
If national identity or collective memory is seen as the result of a collection of representations, then it’s never too late to add to and improve on this narrative. I am Queen Mary - is a very good place to start this dialogue. The new, hopefully permanent statue is a monument of a rebel woman that challenges Denmark’s „forgotten“ colonial past (and the first public sculpture of a black woman in Denmark (!) Denmark’s past as a colonial power and slave nation is often overlooked in the narrative the country tells itself and others. Until 100 years ago the caribbean islands of St. Thomas, St. Croix og St. Jan were under danish rule. Mary Thomas was a leader of the ‘Fireburn’ labour revolt on St. Croix. The Fireburn began on October 1, 1878 as an uprising against the contractual servitude that continued to bind workers to the plantation system after the 1848 abolition of slavery in the former Danish West Indies. Created by the artists Danish artist Jeannette Ehlers and Virgin Islands artist La Vaughn Belle - they hope to challenge Denmark’s role in slavery, its colonial past and memorialize those who fought against it. The statue occupies the waterfront by Copenhagen’s West Indian Warehouse that stored sugar, rum and other goods produced in Denmark’s former Caribbean colonies. This temporary sculpture is the first part of an endeavour to raise a permanent bronze monument in the same location. Go visit in Copenhagen or on www.iamqueenmary.com
"I explore cities through sound and taste. Through gastronomy, i explore how private, public, collective memories and histories are translated, transformed and encoded in food" Nigerian artist Emeka Ogboh is cooking with the studio team today!
The morning small cloud
Studio roof top: A sun tracker is an instrument that redirects sunlight onto a fixed point by adjusting a mirror in concert with the ‘movement’ of the sun across the sky. In development at the studio for a number of years, the apparatus belongs to a family of optical devices called heliostats – a word deriving from Greek roots that mean stationary sun. In a sense to track the sun is to track yourself, because the sun tracker locates the centre of your orbital ellipse, giving your position right now and rendering visible your path. The reflexive potential lies in understanding that we are in a way the mirrors, circulating, tracking, spinning in our Keplerian ellipses. You and I are not the centre of the universe, but in fact spinning in altruistic space
Excerpt from Hope in the Dark by Rebecca Solnit - in the new studio book, Open House
Brilliant Noise by the artist duo Semiconductor takes us into the data vaults of solar astronomy. After sifting through hundreds of thousands of computer files, made accessible via open access archives, Semiconductor have brought together some of the sun's finest unseen moments. These images have been kept in their most raw form, revealing the energetic particles and solar wind as a rain of white noise. This grainy black and white quality is routinely cleaned up by NASA, hiding the processes and mechanics in action behind the capturing procedure. Most of the imagery has been collected as single snapshots containing additional information, by satellites orbiting the Earth. They are then reorganised into their spectral groups to create time-lapse sequences. The soundtrack highlights the hidden forces at play upon the solar surface, by directly translating areas of intensity within the image brightness into layers of audio manipulation and radio frequencies