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[Blog post '557'] @studioolafureliasson Instagram video
Riverbed, 2014 - Louisiana Museum of Modern Art, Humlebæk, Denmark, 2014 - Photo: Anders Sune Berg

Rethinking the outside: Riverbed, 2011, Louisiana Museum of Modern Art

Riverbed, 2014 - Louisiana Museum of Modern Art, Humlebæk, Denmark, 2014 - Photo: Iwan Baan
Riverbed, 2014 - Louisiana Museum of Modern Art, Humlebæk, Denmark, 2014 - Photo: Iwan Baan
Riverbed, 2014 - Louisiana Museum of Modern Art, Humlebæk, Denmark, 2014 - Photo: Iwan Baan
Riverbed, 2014 - Louisiana Museum of Modern Art, Humlebæk, Denmark, 2014 - Photo: Anders Sune Berg
Walking ‘Riverbed’
Ice Watch, 2014 - Photo: Group Greenland
Expectations, 1992 - Copenhagen, 1992 - Photo: Mads Gamdrup & Pia Agge

Feature: Expectations - on the horizon

360° expectations, 2001 - Kunstmuseum Wolfsburg, Germany, 2004 – 2001 - Photo: Jens Ziehe
The horizon series, 2002 - neugerriemschneider, Berlin, 2002 - Photo: Jens Ziehe
Come as you are, 1992 - Demonstrationslokale for Kunst, Copenhagen, 1992
Image used on Blog post '158' (from S3)
Your activity horizon, 2004 - Reykjavik Art Museum, Hafnarhús, 2004 - Photo: Ari Magg
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[Blog post '547'] @studioolafureliasson Instagram video
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On-going: Bulb museum

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Images and videos from Moderna Museet/ArkDes with #OlafurSthlm
in kalejdoscopic display here

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Institut für Raumexperimente are relaunching their archive: www.raumexperimente.net

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Pink Harpa #BreastCancerAwareness

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Feature: Cyanometric paintings - a tool for measuring blueness

Colour experiment no. 66 (cyanometer), 2014 - Photo: Jens Ziehe
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Image used on Blog post '532' (from S3)
Colour experiment no. 68 (cyanometer), 2014 - Photo: Jens Ziehe
Image used on Blog post '532' (from S3)
[Blog post '531'] @studioolafureliasson Instagram video
Image used on Blog post '528' (from S3)

We Have Never Been Displaced by Timothy Morton,
Excerpt from Reality machines catalogue

A funny thing happened on the way to ecological awareness: space collapsed. Us moderns and postmoderns had been banking on place collapsing, all that meaning evaporating in the empty or emptying box of pure difference, or pure mathematics. We were all set to raise a glass to the end of place, which we had been seeing as a distressingly out of date, conservative concept.
But it was space that evaporated, while place remained. This is no longer our familiar, lovable concept of place, however. That concept had to do exclusively with human places. What we are coming to realize is that human places exist within and alongside thousands and thousands of nonhuman places, overlapping, intersecting, interpenetrating with “our” place.
By force majeure, the anthropocentric copyright control on the concept of place has lifted. And space has been revealed as anthropocentric through and through. What an astounding paradox. But it makes perfect sense. Space is really a projection of sets of human tools for accomplishing human goals, like measuring the width of the galaxy or traveling on a highway or planning a building. No matter how big it is, space is the human-scaled concept, handy and universally applicable.

An abstract perspective on "I only see things when they move" - part of Reality machines, Moderna Museet, Stockholm
Olafur Eliasson: Verklighetsmaskiner (Reality machines), 2015
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Charge

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Cirkelbroen, Copenhagen, 2015

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Image used on Blog post '518' (from Instagram) - Photo: Studio Olafur Eliasson

Prolonged until October 12: The collectivity project, The High Line, New York

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