Image used on Blog post '338' (from S3)

Preparing for tomorrow's solar eclipse

Inside the horizon, 2014

Video feature: Inside the horizon, permanent installation at Fondation Louis Vuitton, Paris

Image used on Blog post '333' (from S3)

Bridge under way - Cirkelbroen, Copenhagen, Thursday 12 March

Image used on Blog post '333' (from S3)
Image used on Blog post '333' (from S3)
Image used on Blog post '333' (from S3)
Image used on Blog post '333' (from S3)
Installation view - Mirrored Gardens, Hualong Agriculture Grand View Garden, Panyu, Guangzhou, China, 2015 - Photo: Luo Xianglin, Chen Shengming

Now: We have never been disembodied at Mirrored Gardens, Guangzhou, China

Installation view - Mirrored Gardens, Hualong Agriculture Grand View Garden, Panyu, Guangzhou, China, 2015 - Photo: Luo Xianglin, Chen Shengming
Installation view - Mirrored Gardens, Hualong Agriculture Grand View Garden, Panyu, Guangzhou, China, 2015 - Photo: Luo Xianglin, Chen Shengming
Installation view - Mirrored Gardens, Hualong Agriculture Grand View Garden, Panyu, Guangzhou, China, 2015 - Photo: Luo Xianglin, Chen Shengming
Your circular now, 2015 - Mirrored Gardens, Hualong Agriculture Grand View Garden, Panyu, Guangzhou, China, 2015 - Photo: Luo Xianglin, Chen Shengming
Installation view - Mirrored Gardens, Hualong Agriculture Grand View Garden, Panyu, Guangzhou, China, 2015 - Photo: Luo Xianglin, Chen Shengming
Installation view - Mirrored Gardens, Hualong Agriculture Grand View Garden, Panyu, Guangzhou, China, 2015 - Photo: Luo Xianglin, Chen Shengming
Installation view - Mirrored Gardens, Hualong Agriculture Grand View Garden, Panyu, Guangzhou, China, 2015 - Photo: Luo Xianglin, Chen Shengming
Attraction, 2015 - Mirrored Gardens, Hualong Agriculture Grand View Garden, Panyu, Guangzhou, China, 2015 - Photo: Luo Xianglin, Chen Shengming
The seeing galaxy, 2015 - Mirrored Gardens, Hualong Agriculture Grand View Garden, Panyu, Guangzhou, 2015 - Photo: Luo Xianglin, Chen Shengming
The seeing galaxy, 2015 - Mirrored Gardens, Hualong Agriculture Grand View Garden, Panyu, Guangzhou, 2015 - Photo: Luo Xianglin, Chen Shengming
Installation view - Mirrored Gardens, Hualong Agriculture Grand View Garden, Panyu, Guangzhou, China, 2015 - Photo: Luo Xianglin, Chen Shengming
Time amplifier, 2015 - Mirrored Gardens, Hualong Agriculture Grand View Garden, Panyu, Guangzhou, China, 2015 - Photo: Luo Xianglin, Chen Shengming
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Mirrored Gardens, Guangzhou

While developing the exhibition We have never been disembodied, I worked with the idea that the architecture would find itself reflected in and identified by the artworks; visitors would find themselves in the artworks; the artworks would find themselves in the architecture; and the architecture would find itself within the visitors. This is not to say that all become one. The focus, instead, is on an economy of shifting identifications. The mirroring of Mirrored Gardens is not about the reflections themselves; it is rather about the ability to nurture identification, the same way we identify with something unknown yet emotionally familiar.

Olafur Eliasson

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Video tests at Studio Olafur Eliasson, 2010

Feature: Body in motion

Non-stop park (Zeitlupenstudie), 2009 - Rheinhardt Park, Berlin, 2009 - Photo: Studio Olafur Eliasson
Non-stop park (Zeitlupenstudie), 2009 - Rheinhardt Park, Berlin, 2009 - Photo: Studio Olafur Eliasson
Non-stop park (Zeitlupenstudie), 2009 - Rheinhardt Park, Berlin, 2009 - Photo: Studio Olafur Eliasson
Spread from Love letter from us by Olafur Eliasson, Christina Werner and Eric Ellingsen in Akademie  - Photo: María del Pilar García Ayensa / Studio Olafur Eliasson
Spread from Love letter from us by Olafur Eliasson, Christina Werner and Eric Ellingsen in Akademie  - Photo: María del Pilar García Ayensa / Studio Olafur Eliasson
Slow-motion shadow in colour, 2009 - Gallery Koyanagi, Tokyo, 2010 - Photo: Gallery Koyanagi
Mat for multidimensional prayers, 2014 - Studio Olafur Eliasson, 2014 - Photo: María del Pilar García Ayensa / Studio Olafur Eliasson
Image used on Blog post '326' (from S3)
Image used on Blog post '328' (from S3)

Instagram

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Now: Time-sensitive activity, Modern Art Museum, Addis Ababa
On view until 15 April

Image used on Blog post '320' (from S3)
Image used on Blog post '320' (from S3)
Image used on Blog post '320' (from S3)
Image used on Blog post '320' (from S3)
Image used on Blog post '320' (from S3)
Image used on Blog post '320' (from S3)
Image used on Blog post '320' (from S3)
Image used on Blog post '320' (from S3)
Image used on Blog post '320' (from S3)
Image used on Blog post '323' (from S3)

Feature: Your relativity of black

Image used on Blog post '323' (from S3)
Image used on Blog post '323' (from S3)
Image used on Blog post '323' (from S3)
Image used on Blog post '323' (from S3)
Image used on Blog post '323' (from S3)
Image used on Blog post '323' (from S3)
Image used on Blog post '323' (from S3)
Your House, 2006

Feature: book as sculpture

Your House, 2006 - Tanya Bonakdar Gallery, New York 2006 - Photo: Tanya Bonakdar Gallery
Cover from Never Tired of Looking at Each Other – Only the Mountain and I, edited by Anna Engberg-Pedersen / Studio Olafur Eliasson, Hu Fang, Huang Shan, and Lu Jiu, Beijing / London 2012
Image used on Blog post '322' (from S3)
Image used on Blog post '322' (from S3)
Riverbed, 2014

Featured video: Riverbed at Louisiana Museum of Modern Art, Denmark, 2014

Image used on Blog post '700' (from Instagram) - Photo: Studio Olafur Eliasson
The inventive velocity, 1998 - Tanya Bonakdar Gallery, New York, 1998

Feature: Vortical flow

The inventive velocity, 1998 - Tanya Bonakdar Gallery, New York, 1998
Image used on Blog post '299' (from S3)
Untitled (Spinning Mirror), 1998 - Tanya Bonakdar Gallery, New York, 1998
Detail of Vortex for Lofoten, 1999 - Kunstfestivalen Lofoten, Norway, 1999
Vortex for Lofoten, 1999 - Zentrum für Kunst und Medientechnologie Karlsruhe, Germany, 2001 – 1999 - Photo: Franz Wamhof
The glacier mill series, 2007 - neugerriemschneider, Berlin, 2008 – 2007 - Photo: Jens Ziehe
Well from the parallel garden, 1998 - Reykjavik Art Museum, Kjalvarsstadir, 1998 - Photo: Einar Falur Ingolfsson
Well from the parallel garden, 1998 - Reykjavik Art Museum, Kjalvarsstadir, 1998 - Photo: Einar Falur Ingolfsson
Model for Spiral tower, 2000 - Studio Olafur Eliasson, 2012 - Photo: Viola Heyn-Johnsen
Sketch for Wirbelwerk, 2012
Wirbelwerk, 2012 - Lenbachhaus, Munich, 2013 - Photo: Thilo Frank / Studio Olafur Eliasson
Wirbelwerk, 2012 - Lenbachhaus, Munich, 2013 - Photo: Lenbachhaus
Sketch for Bridge from the future, 2014
Image used on Blog post '299' (from S3)
Image used on Blog post '299' (from S3)
Image used on Blog post '299' (from S3)
Image used on Blog post '321' (from S3)
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Mihret Kebede, poem for the Time-sensitive activity catalogue

Life of a planet, 2015 - Photo: Jens Ziehe, 2015

Tomorrow: Time-sensitive activity opens at Modern Art Museum, Addis Ababa

Life of a planet, 2015 - Photo: Jens Ziehe, 2015
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Concert and poetry night, 27 February, Alliance Ethio-Francaise d'Addis Abeba
Organized by Institut für Raumexperimente

Image used on Blog post '314' (from S3)
Image used on Blog post '315' (from S3)

Instagram

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Contact closes today. Stay in contact.

Olafur Eliasson, Contact - a film by SHIMURAbros

Video: Contact - a film by SHIMURAbros

Image used on Blog post '297' (from S3)

Out now: Catalogue for the exhibition, Contact, at Fondation Louis Vuitton
Available here

Spread from Olafur Eliasson: Contact, limited edition printed with flourescent ink - Photo: Studio Olafur Eliasson
Spread from Olafur Eliasson: Contact, limited edition printed with flourescent ink - Photo: Studio Olafur Eliasson
Image used on Blog post '297' (from S3)
Spread from Olafur Eliasson: Contact, edited by Studio Olafur Eliasson, Berlin 2014
Spread from Olafur Eliasson: Contact, edited by Studio Olafur Eliasson, Berlin 2014
Spread from Olafur Eliasson: Contact, edited by Studio Olafur Eliasson, Berlin 2014
Image used on Blog post '297' (from S3)
Spread from Olafur Eliasson: Contact, limited edition printed with flourescent ink - Photo: Studio Olafur Eliasson
Image used on Blog post '297' (from S3)
Image used on Blog post '297' (from S3)
Image used on Blog post '297' (from S3)
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