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Museums are observatories

Image used on Blog post '189' (from S3)
Inside the horizon, 2014 - Fondation Louis Vuitton, Paris, 2014 - Photo: Iwan Baan
Inside the horizon, 2014 - Fondation Louis Vuitton, Paris, 2014 - Photo: Iwan Baan
Inside the horizon, 2014 - Fondation Louis Vuitton, Paris, 2014 - Photo: Iwan Baan
Inside the horizon, 2014 - Fondation Louis Vuitton, Paris, 2014 - Photo: Iwan Baan
Image used on Blog post '222' (from S3)
Image used on Blog post '212' (from S3)

Out of space geometry - sliced meteorite revealing intricate Widmanstätten pattern #EliassonFLV

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The eighteen moons in penumbra, 2014

Image used on Blog post '196' (from S3)
Image used on Blog post '196' (from S3)
Image used on Blog post '196' (from S3)
Image used on Blog post '196' (from S3)
Image used on Blog post '196' (from S3)
Image used on Blog post '196' (from S3)
Festival of Future Nows, 2014, at the Neue Nationalgalerie, Berlin – A film by SHIMURAbros

Reflections - impressions of the Festival of Future Nows
at Neue Nationalgalerie, Berlin. A film by SHIMURAbros

Black beach series, 2004, 2004, single print

We carry our horizons with us. #EliassonFLV

Black beach series, 2004, 2004, single print
Black beach series, 2004, 2004, single print
Black beach series, 2004 - Jarla Partilager, Stockholm, 2007 – 2004 - Photo: Mathias Johansson
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Chaque matin je me sens différent, chaque soir je me sens le même
Musée d'Art Moderne de la Ville de Paris, 2002

Fivefold tunnel, 2000 - Musée d´Art Moderne de la Ville de Paris, 2002 - Photo: Bertrand Huet
Look into the box, 2002 - Musée d´Art Moderne de la Ville de Paris, 2002 - Photo: Marc Domage
Sketch for the exhibition Chaque matin je me sens différent, chaque soir je me sens le même, 2002
Sketch for the exhibition Chaque matin je me sens différent, chaque soir je me sens le même, 2002
Die Dinge, die du nicht siehst, die du nicht siehst, 2001 - Musée d´Art Moderne de la Ville de Paris, 2002 - Photo: Bertrand Huet
Image used on Blog post '203' (from S3)
Image used on Blog post '203' (from S3)
Image used on Blog post '203' (from S3)
Image used on Blog post '203' (from S3)
Image used on Blog post '203' (from S3)
Horizon instabile (or Swinging horizon), 2002 - Musée d´Art Moderne de la Ville de Paris, 2002 - Photo: Marc Domage
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Bridge from the future #EliassonFLV

Image used on Blog post '200' (from S3)
Image used on Blog post '200' (from S3)
Image used on Blog post '200' (from S3)
Image used on Blog post '200' (from S3)
Image used on Blog post '200' (from S3)
Image used on Blog post '200' (from S3)
Image used on Blog post '200' (from S3)
A view becomes a window, 2013

A View Becomes a Window, 2013, on view at Kunsthalle Mannheim

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In process: Sculpting fivefold symmetry #EliassonFLV

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To track the sun is to track yourself - #EliassonFLV

The sun tracker redirects sunlight onto a fixed point by adjusting a mirror in concert with the ‘movement’ of the sun across the sky.

The apparatus belongs to a family of optical devices known formally as heliostats – a word deriving from Greek roots that mean stationary sun.

To track the sun is to track yourself, because the sun tracker locates the centre of your orbital ellipse, giving your position right now and rendering visible your path. The reflexive potential lies in understanding that we are in a way the mirrors, circulating, tracking, spinning in our Keplerian ellipses. You and I are not the centre of the universe, but in fact spinning in altruistic space.

Olafur Eliasson
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Image used on Blog post '194' (from S3)
Image used on Blog post '194' (from S3)
Image used on Blog post '194' (from S3)
Image used on Blog post '193' (from S3)

This meteorite just landed in the studio. Soon on its way to Paris.

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Soon: Exhibition at Fondation Louis Vuitton, Paris

My exhibition at Fondation Louis Vuitton addresses that which lies at the edge of our senses and knowledge, of our imagination and our expectations. It’s about the horizon that divides, for each of us, the known from the unknown.

Olafur Eliasson
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Objects are always a little bit out of phase with themselves and with one another... they are 'internally' out of phase with themselves, and this is what produces time and the possibility that they can interact. Timothy Morton, philosopher

Ice Watch, 2014 - City Hall Square, Copenhagen 2014 - Photo: Anders Sune Berg

Ice Watch - A project by Olafur Eliasson and Minik Rosing

Twelve large blocks of inland ice, cast off from the Greenland ice sheet, were collected from a fjord outside Nuuk and shipped to Copenhagen. Presented in a clock formation in City Hall Square, from 26 to 29 October 2014, Ice Watch marked the publication of the UN IPCC’s Fifth Assessment Report on Climate Change. The total weight of the ice – 100 tonnes – corresponds to the amount of inland ice melting every hundredth of a second, a rate that will only increase if global warming continues.
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Ice Watch, 2014 - City Hall Square, Copenhagen 2014 - Photo: Anders Sune Berg
Image used on Blog post '185' (from S3)
Image used on Blog post '185' (from S3)
Image used on Blog post '185' (from S3)
Image used on Blog post '185' (from S3)
Image used on Blog post '184' (from S3)

Out now: TYT Vol. 6: How to Make the Best Art School in the World - A visual representation of 5 years of the Institut für Raumexperimente

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Freisetzung by Fabian Knecht - part of Festival of Future Nows at the Neue Nationalgalerie, Berlin

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Now: Celebrating 5 years of the Institut für Raumexperimente - Festival of Future Nows at the Neue Nationalgalerie, Berlin
Continues until Saturday 1 November

Image used on Blog post '182' (from S3)
Image used on Blog post '182' (from S3)
Image used on Blog post '182' (from S3)
Image used on Blog post '181' (from S3)

Now: Festival of Future Nows opens tonight at the Neue Nationalgalerie, Berlin. Everyone is invited!

Global cooling lamp, 2006 - Tanya Bonakdar Gallery, Art Basel, Switzerland, 2006 - Photo: Tanya Bonakdar Gallery

Feature: The heat is on

Global cooling lamp, 2006 - Tanya Bonakdar Gallery, Art Basel, Switzerland, 2006 - Photo: Tanya Bonakdar Gallery
Two hot air columns, 2005 - Studio Olafur Eliasson, 2005 - Photo: Studio Olafur Eliasson
Hot air scanner, 1999 - Photo: Eric Balle Poulsen
Heat pavilion, 2000 - Irish Museum of Modern Art, Dublin, 2000
Image used on Blog post '178' (from S3)

Now: Olafur Eliasson at FIAC, Paris, 23 - 26 October, 2014

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The very large ice floor, 1998

Feature: From the melting archive

The glacierhouse effect versus the greenhouse effect, 2005 - Private collection, Santa Fe, 2006 – 2005 - Photo: Andrew Gellatly
The glacierhouse effect versus the greenhouse effect, 2005 - Private collection, Santa Fe, 2006 – 2005 - Photo: Andrew Gellatly
The glacierhouse effect versus the greenhouse effect, 2005 - Private collection, Santa Fe, 2006 – 2005 - Photo: Andrew Gellatly
Eisfenster, 1998 - Galerie Peter Kilchmann, Zurich, 1998 - Photo: Hans-Christian Schink
Sketch for Eisfenster, 1998
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