'[The bridge series] is a project that evolved intuitively; Eliasson did not set out to look at bridges and document them. Rather, after driving around and stopping to take an occasional picture, he found in sifting through the images that there was a proliferation of photgraphs with bridges in them. This accounts for the rather unstructured approach to sequence, position and orientation of subject.'
(Matthew Drutt, 'Olafur Eliasson: A Cultivated View', from Olafur Eliasson: Photographs, 2004, p. 12)