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Remagine, 2002 - MoMA PS1, Long Island City, New York, 2008 – 2002 - Photo: Christopher Burke
Remagine, 2002
MoMA PS1, Long Island City, New York, 2008 – 2002
Photo: Christopher Burke
Remagine, 2002 - MoMA PS1, Long Island City, New York, 2008 – 2002 - Photo: Christopher Burke
Remagine, 2002
MoMA PS1, Long Island City, New York, 2008 – 2002
Photo: Christopher Burke
Remagine, 2002 - MoMA PS1, Long Island City, New York, 2008 – 2002 - Photo: Christopher Burke
Remagine, 2002
MoMA PS1, Long Island City, New York, 2008 – 2002
Photo: Christopher Burke
Remagine, 2002 - Museum of Contemporary Art Chicago, 2009 - Photo: Studio Olafur Eliasson
Remagine, 2002
Museum of Contemporary Art Chicago, 2009
Photo: Studio Olafur Eliasson
Remagine, 2002 - Museum of Contemporary Art, Sydney, 2009 – 2002 - Photo: Jenni Carter
Remagine, 2002
Museum of Contemporary Art, Sydney, 2009 – 2002
Photo: Jenni Carter
Remagine, 2002 - Museum of Contemporary Art, Sydney, 2009 – 2002 - Photo: Jenni Carter
Remagine, 2002
Museum of Contemporary Art, Sydney, 2009 – 2002
Photo: Jenni Carter
Remagine, 2002 - Museum of Contemporary Art Chicago, 2009 – 2002 - Photo: Nathan Keay / Courtesy of Museum of Contemporary Art Chicago
Remagine, 2002
Museum of Contemporary Art Chicago, 2009 – 2002
Photo: Nathan Keay / Courtesy of Museum of Contemporary Art Chicago
Remagine, 2002 - MoMA PS1, Long Island City, New York, 2008 – 2002
Remagine, 2002
MoMA PS1, Long Island City, New York, 2008 – 2002
Remagine, 2002 - MoMA PS1, Long Island City, New York, 2008 – 2002
Remagine, 2002
MoMA PS1, Long Island City, New York, 2008 – 2002
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Seven spotlights project centre perspectives of walls and rooms onto one of two long sides of a dark room. A control unit is programmed to slowly turn on and off each lamp, which operates on its own frequency.