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Most of the artworks in Sometimes the river is the bridge were shipped by surface transport from Berlin to Tokyo to reduce the exhibition’s carbon footprint. Drawings were produced by a chance process that unfolded while the artworks were travelling by truck, train, and boat along their route. In each set-up, a ballpoint pen was held by a mechanical arm so that it moved over the surface of the paper in response to the movements of the crate, producing a visual record of the terrain over which the artworks passed.
Artwork details | |
Title |
Memories from the critical zone (Germany–Poland–Russia–China–Japan, no. 1) |
Year |
2020 |
Materials |
Wood, paper, ink (black) |
Related | |
Exhibition catalogues | |
Solo shows |