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Who is afraid, 2004 - The Museum of Contemporary Art Tokyo – 2020 - Photo: Kazuo Fukunaga
Who is afraid, 2004
The Museum of Contemporary Art Tokyo – 2020
Photo: Kazuo Fukunaga
Who is afraid, 2004 - Museum of Contemporary Art Tokyo – 2020 - Photo: Kazuo Fukunaga
Who is afraid, 2004
Museum of Contemporary Art Tokyo – 2020
Photo: Kazuo Fukunaga
Who is afraid, 2004 - Museum of Contemporary Art Tokyo – 2020 - Photo: Kazuo Fukunaga
Who is afraid, 2004
Museum of Contemporary Art Tokyo – 2020
Photo: Kazuo Fukunaga
Who is afraid, 2004 - Museum of Contemporary Art Tokyo – 2020 - Photo: Kazuo Fukunaga
Who is afraid, 2004
Museum of Contemporary Art Tokyo – 2020
Photo: Kazuo Fukunaga
Who is afraid, 2004 - Kunstmuseum Wolfsburg, Germany, 2004 - Photo: Jens Ziehe
Who is afraid, 2004
Kunstmuseum Wolfsburg, Germany, 2004
Photo: Jens Ziehe
Who is afraid, 2004 - Kunstmuseum Wolfsburg, Germany, 2004 - Photo: Jens Ziehe
Who is afraid, 2004
Kunstmuseum Wolfsburg, Germany, 2004
Photo: Jens Ziehe
Who is afraid, 2004 - Kunstmuseum Wolfsburg, Germany, 2004 - Photo: Jens Ziehe
Who is afraid, 2004
Kunstmuseum Wolfsburg, Germany, 2004
Photo: Jens Ziehe
Who is afraid, 2004 - Kunstmuseum Wolfsburg, Germany, 2004 - Photo: Jens Ziehe
Who is afraid, 2004
Kunstmuseum Wolfsburg, Germany, 2004
Photo: Jens Ziehe
Who is afraid, 2004 - Kunstmuseum Wolfsburg, Germany, 2004 - Photo: Jens Ziehe
Who is afraid, 2004
Kunstmuseum Wolfsburg, Germany, 2004
Photo: Jens Ziehe
Who is afraid, 2004 - Museum of Contemporary Art Tokyo – 2020 - Photo: Kazuo Fukunaga
Who is afraid, 2004
Museum of Contemporary Art Tokyo – 2020
Photo: Kazuo Fukunaga
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Works that explore colour theory are prominent in Eliasson’s practice. The glass discs in this work each have a special coating that reflects light of one colour while allowing light of the opposite colour to pass through. When the continuously changing cyan, magenta, and yellow shapes on the wall overlap they mix to produce tones of red, green, or blue – the three primary colours.