Image used on Blog post '1265' (from Instagram) - Photo: Studio Olafur Eliasson
Green light: Venice

Come join the Green light workshop in Venice!

[Blog post '1255'] @studioolafureliasson Instagram video

Just launched the new studio TV channel - www.soe.tv

[Blog post '1254'] @studioolafureliasson Instagram video

Venetian moonlight

Green light: Why Venice?
[Blog post '1252'] @studioolafureliasson Instagram video
Olafur Eliasson: Green light, 2016 – An artistic workshop. In collaboration with Thyssen-Bornemisza Art Contemporary - 57th International Art Exhibition of La Biennale di Venezia VIVA ARTE VIVA, 2017 - Photo: Damir Zizic

Olafur Eliasson: Green light – An artistic workshop
The 57th International Art Exhibition of La Biennale di Venezia VIVA ARTE VIVA
13 May - 26 November 2017

Olafur Eliasson: Green light, 2016 – An artistic workshop. In collaboration with Thyssen-Bornemisza Art Co - 57th International Art Exhibition of La Biennale di Venezia VIVA ARTE VIVA, 2017 - Photo: Damir Zizic
Olafur Eliasson: Green light, 2016 – An artistic workshop. In collaboration with Thyssen-Bornemisza Art Contemporary - 57th International Art Exhibition of La Biennale di Venezia VIVA ARTE VIVA, 2017  - Photo: Damir Zizic
Olafur Eliasson: Green light, 2016 – An artistic workshop. In collaboration with Thyssen-Bornemisza Art Contemporary - 57th International Art Exhibition of La Biennale di Venezia VIVA ARTE VIVA, 2017 - Photo: Damir Zizic
Olafur Eliasson: Green light, 2016 – An artistic workshop. In collaboration with Thyssen-Bornemisza Art Contemporary - 57th International Art Exhibition of La Biennale di Venezia VIVA ARTE VIVA, 2017 - Photo: Damir Zizic
Olafur Eliasson: Green light, 2016 – An artistic workshop. In collaboration with Thyssen-Bornemisza Art Co - 57th International Art Exhibition of La Biennale di Venezia VIVA ARTE VIVA, 2017 - Photo: Studio Olafur Eliasson
Olafur Eliasson: Green light, 2016 – An artistic workshop. In collaboration with Thyssen-Bornemisza Art Contemporary - 57th International Art Exhibition of La Biennale di Venezia VIVA ARTE VIVA, 2017 - Photo: Damir Zizic
Olafur Eliasson: Green light, 2016 – An artistic workshop. In collaboration with Thyssen-Bornemisza Art Contemporary - 57th International Art Exhibition of La Biennale di Venezia VIVA ARTE VIVA, 2017 - Photo: Damir Zizic
Olafur Eliasson: Green light, 2016 – An artistic workshop. In collaboration with Thyssen-Bornemisza Art Contemporary - 57th International Art Exhibition of La Biennale di Venezia VIVA ARTE VIVA, 2017 - Photo: Damir Zizic
Image used on Blog post '1250' (from Instagram) - Photo: Studio Olafur Eliasson
[Blog post '1248'] @studioolafureliasson Instagram video
Ivana Franke, 'Retreat into Darkness. Towards a Phenomenology of the Unknown', 2017

Ivana Franke, Retreat into Darkness. Towards a Phenomenology of the Unknown, 2017. Schering Stiftung, Berlin. Film Mario Furicic

Little Sun film by Euan Williams

Little Sun film by Euan Williams, former Institut für Raumexperimente participant

[Blog post '1243'] @studioolafureliasson Instagram video

The Responsive Eye, MOMA, 1965, catalogue

Image used on Blog post '1242' (from Instagram) - Photo: Studio Olafur Eliasson
The Responsive Eye, Mike Wallace, MOMA, New York, 1965

The Responsive Eye, MOMA, 1965

[Blog post '1214'] @studioolafureliasson Instagram video

Rainbow bridge, 2017, Tanya Bonakdar Gallery, New York.

Image used on Blog post '1241' (from S3)

On the fifth day

the scientists who studied the rivers

were forbidden to speak

or to study the rivers.

 

The scientists who studied the air

were told not to speak of the air,

and the ones who worked for the farmers

were silenced,

and the ones who worked for the bees.

 

Someone, from deep in the Badlands,

began posting facts.

 

The facts were told not to speak

and were taken away.

The facts, surprised to be taken, were silent.

 

Now it was only the rivers

that spoke of the rivers,

and only the wind that spoke of its bees,

 

while the unpausing factual buds of the fruit trees

continued to move toward their fruit.

 

The silence spoke loudly of silence,

and the rivers kept speaking,

of rivers, of boulders and air.

 

In gravity, earless and tongueless,

the untested rivers kept speaking.

 

Bus drivers, shelf stockers,

code writers, machinists, accountants,

lab techs, cellists kept speaking.

 

They spoke, the fifth day,

of silence.

 

On The Fifth Day by Jane Hirshfield

Olafur Eliasson - Why I March For Science

Why I march for science on April 22 - Join the global movement and find you local march

Image used on Blog post '1235' (from S3)

Models for coexistence - opens today at PKM Gallery, Seoul, South Korea

[Blog post '1236'] @studioolafureliasson Instagram video

Polyhedral growth (Phistar series) #studio #research

Image used on Blog post '1232' (from Instagram) - Photo: Studio Olafur Eliasson
Anna Wirz-Justice Q&A - What is Chronobiology?

Anna Wirz-Justice helps us understand chronobiology – light’s role in our circadian rhythms.

Map for unthought thoughts

Mending Walls: Click on image for full collection

Before I built a wall I'd ask to know
What I was walling in or walling out,
And to whom I was like to give offence.
Something there is that doesn't love a wall

Excerpt from Mending Walls, Robert Frost

Fivefold symmetry walls, 1998 - Galerie für Zeitgenössische Kunst, Leipzig, Germany, 1998 - Photo: Olafur Eliasson
Sketch for Fivefold symmetry walls, 1998 by Einar Thorsteinn
Map for unthought thoughts, 2014 - Fondation Louis Vuitton, Paris – 2014 - Photo: Iwan Baan
Earth wall, 2000 - Hamburger Bahnhof - Museum für Gegenwart, Berlin, 2000 - Photo: Studio Olafur Eliasson
Earth wall, 2000 - Hamburger Bahnhof - Museum für Gegenwart, Berlin, 2000 - Photo: Jens Ziehe
Quasi brick wall, 2002 - Fundación NMAC, Cádiz, Spain, 2002 - Photo: Silke Heneka / Studio Olafur Eliasson
Quasi brick wall, 2002 - Fundación NMAC, Cádiz, Spain, 2006 – 2002 - Photo: Gaetane Hermans
Music wall, 2006 - Alsion, Sønderborg, Denmark, 2006 - Photo: Adam Mørk
When love is not enough wall, 2007 - 21st Century Museum of Contemporary Art, Kanazawa, Japan, 2009 - Photo: Studio Olafur Eliasson
When love is not enough wall, 2007 - 21st Century Museum of Contemporary Art, Kanazawa, Japan, 2009 - Photo: Kioku Keizo / Courtesy of 21st Century Museum of Contemporary Art, Kanazawa
The other wall, 2008 - Oslo Opera House, 2008 – 2004-2008 - Photo: Jens Sölvberg
The other wall, 2008 - Oslo Opera House, 2008 – 2004-2008 - Photo: Jens Sölvberg
Moss wall, 1994 - Leeum, Samsung Museum of Art, Seoul, 2016 - Photo: Hyunsoo Kim
Wall eclipse, 2004 - The Museum of Modern Art, New York, 2008 – 2004 - Photo: Christopher Burke
Less ego wall, 2015 - Leeum, Samsung Museum of Art, Seoul, 2016 - Photo: Hyunsoo Kim
Less ego wall, 2015 - Leeum, Samsung Museum of Art, Seoul, 2016 - Photo: Hyunsoo Kim
Soil quasi bricks, 2003 - Danish Pavilion, 50th Biennale di Venezia, Venice, 2003 - Photo: Giorgio Boato
Your concentric welcome, 2004

Your concentric welcome, 2004

Image used on Blog post '1226' (from Instagram) - Photo: Studio Olafur Eliasson
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