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Stereoscope, 2006 - Studio Olafur Eliasson, Berlin, 2006 - Photo: Studio Olafur Eliasson
Stereoscope, 2006
Studio Olafur Eliasson, Berlin, 2006
Photo: Studio Olafur Eliasson
Stereoscope, 2006 - Tanya Bonakdar Gallery, New York, 2007 – 2006 - Photo: Christopher Burke
Stereoscope, 2006
Tanya Bonakdar Gallery, New York, 2007 – 2006
Photo: Christopher Burke
Sketch for Stereoscope, 2006
Sketch for Stereoscope, 2006
Sketch for Stereoscope, 2006
Sketch for Stereoscope, 2006
Sketch for Stereoscope, 2006
Sketch for Stereoscope, 2006
Stereoscope, 2006 - Tanya Bonakdar Gallery, New York – 2006 - Photo: Christopher Burke 2007
Stereoscope, 2006
Tanya Bonakdar Gallery, New York – 2006
Photo: Christopher Burke 2007
Stereoscope, 2006 - Gallery Koyanagi, Tokyo, 2006
Stereoscope, 2006
Gallery Koyanagi, Tokyo, 2006
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Based on the principle of the stereoscope invented in the 19th century, this wall-mounted instrument presents viewers with two photographs taken simultaneously with two cameras in eye-width proximity to one another. A wall, invisible to the viewer, divides the photographs. The resulting image appears to be three-dimensional. Several images can be seen in the instrument, one after the other; the subject of these are the patterns produced by the three-dimensional version of the harmonograph (see The endless study in three dimensions series, 2006).